Michael Bellefountaine’s Early Activism in ACT UP Maine

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“They advertised it all over town that they expected to block traffic and do civil disobedience type of things.”

Michael Chitwood, Portland Police Chief

Michael Bellefountaine is carried away by police in an ACT UP Maine protest against AIDS and the Iraq War, Jan. 23, 1991.

On the occasion of the 10th anniversary of the death of ACT UP activist Michael Bellefountaine, let’s take a look back to his formative years as a direct action activist. Hailing from rural Maine, Michael was among the first generation of queers who came out in the early shadow of ACT UP’s militant approach to fighting AIDS. The organization just celebrated the 30th anniversary of its first demonstration in April, 1987.

It was a much different time back then to be out, loud and proud; one that required a hefty amount of courage and perseverance. By 1989 Michael was traveling to Boston and New York by bus to participate in meetings and actions where he learned the basics of a new movement in AIDS activism that was as informed as it was confrontational.

In the summer of 1990 he was one of the co-founders of ACT UP Maine along with C.T. Butler. Butler was also one of the founders of Food Not Bombs whose use of consensus for group process and decision making became a core of Bellefountaine’s involvement with ACT UP and other direct action movements such as animal rights.

AIDS activist Michael Bellefountaine marches in Portland, Maine’s gay pride march circa 1990.

Among the dozens of boxes in the ACT UP Archives still to be processed, there is one with Michael’s material of activism which predates his arrival in San Francisco, with David Pasquarelli, at the end of 1993. For several months I’ve been digitizing a small binder of photocopies from ACT UP Maine’s first action in the summer of 1990 until Michael’s move to Florida in 1992.

Now that those photocopies and a couple of darkening news clippings have been scanned, I’ll begin highlighting selections from the news coverage of ACT UP Maine. For many years ACT UP SF’s detractors attempted to delegitimize the radical dissident chapter in the tiresome gay political parlor game of whose right it is to use that five letter acronym.

These documents help illustrate the foundation of Michael Bellefountaine’s fifteen years of ACT UP activism which came from direct participation in the actions and demonstrations of the its original East Coast roots, with a strong emphasis on people with AIDS and HIV living in rural communities.

Casgow Bay Weekly, Jan. 31, 1991. CLICK TO ENLARGE.

Though it began in the waining years of the Regean administration, ACT UP came into its own during the Presidency of George H.W. Bush. Among the group’s most celebrated actions was the Day of Desperation on January 23, 1991– coordinated protest against Bush’s Persian Gulf War and the perpetuation of armed conflict in the Middle East.

On that day the rallying cry was “No Blood For Oil”. ACT UP’s charge of “Money For AIDS Not For War” began with early morning protests in downtown Manhattan, culminating with a massive demonstration at Grand Central Station at 5PM to coincide with rush hour traffic. The most audacious action took place the night before when members of ACT UP New York stormed into the live taping of CBS Evening News. While the befuddled anchor Dan Rather began evening’s broadcast, activists jumped on camera chanting “AIDS is News; Fight AIDS, Not Arabs!”

Portland Press Herald, Jan. 24, 1991. CLICK TO ENLARGE.

ACT UP Maine also took the streets that morning as the war approached six months of death and environmental destruction in the Persian Gulf. Like many rural chapters, ACT UP Maine harnessed the national protests to call attention to local issues affecting people with AIDS and HIV.

Ultimately 10 members of the group were arrested for blocking traffic in downtown Portland. 6 men and 4 women lay down across Congress Street at Monument Square during a lunch hour march and rally. The choice of location maximized exposure to ACT UP Maine’s message challenging the government’s misdirection of priorities and funding.

Speakers blamed leaders from both the state and the nation for creating a mood of public apathy and indifference. Their demands included AIDS specific clinics and that doctor’s ensure care for patients without insurance.

Sarasota Herald Tribune, Feb. 1, 1991. CLICK TO ENLARGE.

The best coverage of the demo came from the Jan. 24, 1991 Portland Press Herald which featured a pair of eye-catching photos including the iconic image of Bellefountaine being dragged off by Portland Police officers. That striking photograph was picked up by wire news services and reprinted across the nation. Here’s a clipping printed the following week in the Sarasota Herald Tribune.

The best quote came from Portland Police Chief Michael Chitwood, “They advertised it all over town that they expected to block traffic and do civil disobedience type of things.” The “advertisements” were likely flyers wheat pasted around town encouraging citizens to participate while informing them of the reasons for the scheduled protest.

After speeches, ACT UP Maine activists ignited flares atop placards as 10 participants darted into the street and laid on their backs until they were forcibly removed by law enforcement. Charged with misdemeanor citations for obstructing a public way, the activists were transported to the Cumberland County Jail.

“At the jail, the protestors refused to identify themselves. Instead, they gave the names of public figures that ACT UP regards as adversaries, among them U.S. Sen. Jesse Helms, state Human Services Commissioner Rollin Ives and Jasper Wyman of the Maine Christian Civic League.”

During the demonstration, participants carried tombstone shaped signs and pushed homemade black wooden coffins. In messages to the media, activists took aim at the nation’s misplaced sense of urgency, highlighting the discrepancy of resources between the Persian Gulf War and AIDS War. As speaker Patrick Dunn stated, “Because of the war in the Persian Gulf, it’s been easy to put this war aside…This was hasn’t ended. We’ve been fighting this war 11 years.”

Portland Evening Express, Jan. 24, 1991. CLICK TO ENLARGE.

As our country continues its destructive journey on the bloody path of endless war, it’s the legacy of direct action activists like Michael Bellefountaine whose 15 year commitment to ACT UP’s struggle for justice and dignity for people with AIDS and the still unfulfilled promise of queer liberation that provides perspective and inspiration to continue the persistence of resistance.

 

The Full Spectrum by Ronnie Burk

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I came across this letter from Ronnie to his dear friend, the actress and author Monica Sanchez, while digitizing her archive of material from Ronnie. The last four pages struck me as prophetic.

I’ve chosen the title “THE FULL SPECTRUM” and share these scans and my own transcription with Monica’s permission.

THE FULL SPECTRUM by Ronnie Burk.

It goes beyond conceptions of art or literature or even greatness.

The illusions (all of them) are wearing thin.

We need theater, art, literature that answers our desires. That manifests the world we desire. Not in reaction or in response to a given historical condition i.e. the oppression of (fill in the blank) people:
Hawaiian
Chicano
Hopi
Negro
Queer

We need to rebuild the garden of Eden. Hand Adam back his rib and tell god the father to go fuck himself. All myths are coming to an end. It is the Zen of time & there is no way out except up.

For the (fill in the blank) people this situation is hell i.e. a bottom line situation, and we don’t need another gang war to remind us the zoot suit, the Chulo look, the Nike baseball cap ghetto blaster children know & will tell you

“Get a life”

because this is not a life. This is a place for dead people and wannabes. What we want in the end is simply to live & that is the very source of our art which can be, in another form, defined as light. THE FULL SPECTRUM.

Once we come to the full understanding as a (fill in the blank) people, the world will explode & none of us will be able to continue we have. This is the role of the artist as Artaud said “Signal through the Flames” as the world is burning.

The world is burning & it is our collective delusion– “mass hallucination” propped up by TV, Hollywood, religion, history (as we are told), academia, i.e. media– that keeps us locked into this given format i.e. the white man’s reality. Which is to not see the world is burning and we don’t need “The Nutty Professor” to tell us there’s a hole in the ozone. I believe we will make it. But it’s going to take a lot of waking up. Are you ready to set the alarm clock?

Good night,

R.B.